Ikoniadou E Rhythmic Event Art Media and the Sonic

ikoniadou book rhythmic mobile event download media pdf sonic pdf technologies free lived pdf abstraction book Ikoniadou E ebok Rhythmic Event free Rhythmic Event Art Media book E Rhythmic Event pdf E Rhythmic Event Art Media download Ikoniadou E Rhythmic Event Art Media and the Sonic Technologies of Lived Abstraction PDF/EPUBAn investigation into the affective modes of perception temporality and experience enabled by experimental new media sonic art The sonic has come to occupy center stage in the arts and humanities In the age of computational media sound and its subcultures can offerdynamic ways of accounting for bodies movements and events In The Rhythmic Event Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception temporality and experience Ikoniadou draws on media theory digital art and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective The Rhythmic Event seeks to define the digital media artwork as an assemblage of sensations that outlive the space time and bodies that constitute and experience it Ikoniadou proposes that the notion of rhythm detached however from the idea of counting and regularity can unlock the imperceptible aesthetic potential enveloping the artwork She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions eg humansonicdigital and false dichotomies eg virtualreal Operating at the margins of perception the rhythmic artwork summons an obscure zone of sonic thought which considers the event according to its power to become.

An investigation into the affective modes of perception temporality and experience enabled by experimental new media sonic art The sonic has come to occupy center stage in the arts and humanities In the age of computational media sound and its subcultures can offerdynamic ways of accounting for bodies movements and events In The Rhythmic Event Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception temporality and experience Ikoniadou draws on media theory digital art and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective The Rhythmic Event seeks to define the digital media artwork as an assemblage of sensations that outlive the space time and bodies that constitute and experience it Ikoniadou proposes that the notion of rhythm detached however from the idea of counting and regularity can unlock the imperceptible aesthetic potential enveloping the artwork She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions eg humansonicdigital and false dichotomies eg virtualreal Operating at the margins of perception the rhythmic artwork summons an obscure zone of sonic thought which considers the event according to its power to become.

Ikoniadou E Rhythmic Event Art Media and the Sonic

[PDF] ✅ Ikoniadou E Rhythmic Event Art Media and the Sonic Technologies of Lived Abstraction Author Eleni Ikoniadou – Bricksnboho.co.uk An investigation into the affective modes of perception temporality and experience enabled by experimental new media sonic art The sonic has come to occupy center stage in the arts and humanities In tAn investigation into the affective modes of perception temporality and experience enabled by experimental new media sonic art The sonic has come to occupy center stage in the arts and humanities In the age of computational media sound and its subcultures can offerdynamic ways of accounting for bodies movements and events In The Rhythmic Event Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception temporality and experience Ikoniadou draws on media theory digital art and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective The Rhythmic Event seeks to define the digital media artwork as an assemblage of sensations that outlive the space time and bodies that constitute and experience it Ikoniadou proposes that the notion of rhythm detached however from the idea of counting and regularity can unlock the imperceptible aesthetic potential enveloping the artwork She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions eg humansonicdigital and false dichotomies eg virtualreal Operating at the margins of perception the rhythmic artwork summons an obscure zone of sonic thought which considers the event according to its power to become.

Ikoniadou E Rhythmic Event Art Media and the Sonic

Ikoniadou E Rhythmic Event Art Media and the Sonic

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